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Monday, February 29, 2016


Will You Please Be Quiet, Please?

In Raymond Carver’s first book of short stories, Will You Please Be Quiet, Please? we are given twenty-two realistic and pessimistic stories of average people one could see on the street every day. Each story takes on a different point of view of the American working class with a bit of dry humor and minimalist writing. Carver holds nothing back in his depiction of daily human life, including the disappointing aspects most overlook in their day. A perfect read for anyone with little time, and anyone who appreciates the gritty realism of middle class America and the struggles that come with it.
Put Yourself in My Shoes
            Easily relatable for anyone who has ever had an unpleasant experience with a landlord, this story depicts the strange encounter between the Meyers and their landlords, the Morgans after a good night of drinking. The Meyerses Christmas celebration is disturbed by a rather unusual encounter with the elder couple, complete with a haunting story of infidelity, a woman dying in Germany, and a rant about personal property bringing it all to a head with a rather awkward ending that makes you squirm in your seat.
            One wonderful thing this story does is have one person telling a story within the story. We are given three stories from two characters and that builds both some suspense for what’s actually going on in the story and it gives a bit of character to people most readers see as unlikeable. The use of certain language sometimes reads like a script, making you hear what they’re saying and the emotion in each syllable, which I personally enjoy. It’s admittedly a bit of a slow build, but it does tend to keep you engaged by giving personality to each of the four main characters, making you feel like you have met at least one person like this before.
Why, Honey?
            This story is easily my favorite, partly due to its subject matter and partly due to the way it is written. “Why Honey?” is a very simple, story written in the format of a mother writing a letter about her son to a mystery man. We very quickly get an idea of a seemingly escalating fear she cultivates over years, giving us examples of her baby boy’s behavior. By the end, it is very easy to understand this woman’s fear and even feel a small chill in the spine by the last lines.
            With almost no direct dialogue in the story, we are given the entire story from the mother’s point of view which tends to boarder on sentimental, but it can be easy to feel for this woman. The language of the story tends to be easy to suck you in and make you believe easy that this is a scared woman. I think the writing for this passage is good at immersion, not by describing every environment and every person, but by giving any crime lover the perfect glimpse into the possible childhood of a pathological liar. This story, I believe, reels you in easily from the first line of “Dear, Sir.”
The Idea
            My least favorite story of the collection, “The Idea” depicts one couple watching what they believe to be a strange sexual fetish of their neighbors. After wanting to retire to bed, the wife of the two stays up and tries to rid her home of an ant infestation before whispering to a dark window, “…things I cannot repeat.”
            I think this story is rather boring and doesn’t give too much to itself in terms of what it’s about. The plot is foggy at best and the ending is a great let down considering we start out the story with two people watching their neighbor peeping through the window at his wife. The judgmental neighbors are either unlikable in the case of the wife or not flushed out in the case of the husband. All in all, you will not lose any sleep by skipping this story.

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